In researching The Art of Sinning, I discovered quite a few American artists who ended up touring or settling in England. The most famous one, of course, is Benjamin West, one of the founders of the Royal Academy of Arts. Already established as a portrait painter in Pennsylvania, he went to England initially for a visit and ended up residing there for the rest of his life. Alvan Fisher, an American landscapist, toured England around the time of my story. Samuel Morse (yes, the co-developer of Morse code) was also a painter and member of The Royal Academy, who studied in England under West. In fact, several American artists of the period studied there—Robert Fulton, Charles Wilson Peale, and Washington Allston, among others. So Jeremy was part of a long-standing tradition with American artists.

We tend to think of comics as modern, but the very first comics were humorous or satirical prints done by well-known artists like William Hogarth, James Gillray, and the Cruikshank brothers. The one I’ve included is of George IV (who was Prinny during our period). The caricaturists satirized him shamelessly, especially once he grew in girth. They were the first political cartoonists, but they didn’t limit themselves to political issues. Some of them just liked to poke fun at the rich and aristocratic. If you have time, check out their works online. Some of them were quite racy and amusing!

There was no photography in the Regency, so the only way you could capture your family’s images for all eternity was to have their portraits painted or their busts made. I was particularly moved by the bust of a young man commissioned by his family after his tragic death in his teens. They had no image of him to work from, so the artist did a likeness based on his siblings’ features and the descriptions of the family. Can you imagine having to endure your grief for a loved one without even being able to look at a picture of him? It really brought home to me how we take photographs for granted.